 |
|
內有報名文件連結
|
|
 |
| 名家字帖瀏覽人次排行 |
上月 |
本月 |
|
|
|
|
135 |
40 |
 |
| 明 |
董其昌 |
曹娥碑 |
326 |
33 |
|
| 宋 |
米芾 |
元日帖 |
17 |
24 |
 |
|
|
|
 |
書譜 Essay on Calligraphy |
作者： 孫過庭 Sun Kuoting
|
朝代： 唐 Tang Dynasty
|
|
 |
 放大預覽
 加入購物車
|
【作者介紹】 |
|
孫過庭（648年—703年），字虔禮，自稱吳郡人，一說富陽（今杭州市富陽區）人（漢及三國時富陽屬吳郡），一說陳留人。
|
Inside Story
|
Sun Kuoting’s “Essay on Calligraphy” represents the visual evaluation on the calligraphy art in Tang Dynasty. It presents the highest taste on calligraphy evaluation as well as the change and trend of calligraphy appreciation. The article holds significant function and meaning on the formation of art ideals and the maturity of art theory in the late Tang period. It is based on the fundamental principles of calligraphy and deeply brings out the characteristics of calligraphy which lies in the connection between calligraphy art and the inner thoughts of human being. He thought calligraphy art existed in daily lives, just like the flow of musical tune, it does not have a fixed direction and one is capable to sense its beauty. Once a piece of calligraphy work is completed, it will wander around as long as we appreciate the work and everyone is able to understand the spirit and beauty of each piece of calligraphy work. |
|
|
|
 |
|
|
| 明 祝允明 |
 |
| 〈前後赤壁賦〉是東坡極為有名的作品，特別是〈前赤壁賦〉更是佳作中的佳作。其中主要表達的思想，是東坡在貶官之餘，看到赤壁壯闊的景色，想起三國時的種種事情，進而感受到「人」的渺小、人生的短暫與無常，心中因此而感到難過，但是又進一步表示人生雖然短暫，但是人的精神境界如果不被俗世的名利所束縛，而能夠像大自然一樣無拘無束，這樣的人生，也是一種永恆。需要特別說明的是，東坡寫〈前後赤壁賦〉時所處的赤壁，並不是三國時赤壁之戰的赤壁，只是名字一樣而已，東坡就借著一樣名字而有所發抒。 |
|
|
|
