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曹娥碑 The epigraph of Tsao-eh

【朝代】
【作者】
董其昌
【摘要】
這是董其昌所書《曹娥碑》。《曹娥碑》記載的是曹娥投江尋父的孝行,相傳孝女曹娥是上虞曹盱的女兒。漢安二年的端午節,正是民俗祭祀潮神的日子,迎神的船隊由曹盱指揮,船逆著江流行駛。是日風急浪高,主祭船被浪打翻,曹盱落水身亡,人們許久都沒有打撈到他的屍體。曹娥當時年方十四,她在江邊大聲哭喊著尋找父親,一直尋至第十七天仍不見父屍,便投入江中。五天後,曹娥抱父屍浮出水面。曹娥去世八年後,即東漢桓帝元嘉元年,上虞縣長度尚對曹娥孝行非常讚賞,遂命其弟子邯鄲淳為之作碑。
【釋文】
孝女曹娥碑 孝女曹娥者,上虞曹盱之女也。其先與周同祖,末胄荒沈,爰來適居。盱能撫節安歌,婆娑樂神。以漢安十五年五月時,迎伍君逆濤 而上,為水所淹,不得其屍。時娥年十四,號慕思盱,哀吟澤畔,旬 有七日,遂自投江死。經五日,抱父屍出。以漢安迄於元嘉元年,青龍在辛卯,莫之有表。刺史度尚設祭,誄之辭曰:伊惟孝女,曄曄之姿,偏其返而,令色孔儀。窈窕淑女,巧笑倩兮,宜其家室,在洽之陽。待禮未施,嗟喪慈父。彼蒼伊何,無父孰怙。訴神告哀,赴江水號,視死如歸。是以眇然輕絕,投入沙泥。翩翩孝女,乍沈乍浮。或泊洲口,或在中流,或趨湍瀨,或還波濤。千夫共聲悼痛,萬餘觀者填道,雲集路衢,流淚掩涕,驚慟國都。是以 哀姜哭市,杞崩城隅。或有剋面引鏡,口耳用刀,坐臺待水,抱樹而 燒。於戲:孝女德茂,此儔何者。大國防禮自脩,豈況庶賤。露屋草茅,不扶自直,不鏤而雕,越梁過宋,比之有殊。哀此貞厲,千載不渝。嗚呼哀哉!辭曰:銘勒金石,質之乾坤。歲數歷祀,邱墓起墳。光于后土,顯照天人。生賤死貴,義之利門。可悵華葩,彫零旱分。葩艷窈窕,永世配神。若堯二女,為湘夫人。時效彷佛,以招後昆。漢議郎蔡雍聞之來觀,夜闇,手摸其文而讚之。雍題文云:黃絹幼婦,外孫齏臼。又云:三百年後,碑家當墮江中,當墮不墮逢王叵。 昇平二年八月十五日記之 懷充 滿騫 僧權
   

The epigraph of Tsao-eh

Tung Chichang, Ming Dynasty

Inside Story

Tsao-eh is a poem of recording the filial virtue of Tsao-eh who jumped into a river trying to find his father. It is said that Tsao-eh’s father got knocked into water by waves while rowing a boat against streams on the day of Dragon Boat Festival. His body was unable to be found for many days. Tsao-eh, then at the age of fourteen, called her father’s name while walking along the river for seventeen days and finally she jumped into the river. Five days later the body of Tsao-eh holding her father’s merged out of the water.

 

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